Sometimes the direct translation isn’t as successful as we’d hoped. If I want to use Designer as an Illustrator replacement, I learned that I couldn’t treat them as if they’re identical twins. “ Mon petit chou” doesn’t literally mean “my little cabbage” in French. Reading this book taught me that like different spoken languages, each software has its own approach and there’s something lost when you try to make a direct translation. Like many others who start using Designer, I started using Designer’s tools like I use Illustrator.
Both tools have their own benefits and approaches to vector art. The biggest takeaway from reading this book was for me to stop comparing Affinity Designer to Adobe Illustrator. Image courtesy of Serif Big things that i learned The tips and workflow ideas presented reinforce Affinity Designer’s strengths, building an impressive case for including Designer to your daily toolset. The second part is dedicated to step-by-step tutorials written by artists. The book starts with covering the basics and terminology of Designer. The Workbook is over 400 pages and packed with tons of full-color art and info. It covers the basics, tips for creating art, and the new featuresAffinity 1.5 offers. The book is essential for beginners and seasoned vector art professionals. In October, Serif released the Affinity Designer Workbook along with the launch Affinity Designer 1.5.
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